Fleshgod Apocalypse's fourth full-length album, King, takes them yet another step closer to achieving the level of balance I've been hoping for out of this band since Agony.
All of the basics are still there, with most tracks being driven by the same unrelenting double bass, as if the drummer just needs to prove to the world that he doesn't skip leg day. Guitar work is just as intricate as ever and requires multiple listens to really appreciate fully. And, as often happens on albums in this general genre, the bassist is mostly just left to play with himself in a corner.
But that's par for the course for technical death metal these days. What really sets Fleshgod Apocalypse apart from the rest of the crowd is their use of backing strings and keyboard, which have (at least so far) reached their peak on this album. They add just enough to each song to make an otherwise good to great tech death track into a properly epic one. Best examples of such on this album are probably "In Aeternum" and "Healing Through War."